This page provides information about presenters. For details of presentations and other programming, please visit the Programme page.
View details of programming for past BCE conferences via the links below.
Dr Sue Ballyn is the Founder and Honorary Director of the Centre for Australian and Transnational Studies Centre at the University of Barcelona from where she graduated with a BA in 1982. Her MA thesis on the writings of Sylvia Plath and Ted Hughes won the Faculty prize in 1983. In 1986 she won the Faculty prize again, this time for her PhD thesis on Australian Poetry, the first PhD on Australian Literature in Spain.
She joined the English and German Philology Department on graduation 1982 and has remained at the university ever since. In 1990 she founded the Australian Studies Program which was recognised as an official University of Barcelona Observatory - Studies Centre in 2000, known as CEA, Observatorio Centre d’Estudis Australians. It is the only Australian Studies Centre in Spain and one of the most active in Europe.
Over the last twenty-five years, Sue Ballyn’s research has been focused on foreign convicts transported to Australia, in particular Spanish, Portuguese, Hispanics and Sephardim, and she works closely with the Female Convicts Research Centre, Tasmania. She has published and lectured widely in the area, very often in collaboration with Professor Lucy Frost. May 25th 2018 will see the publication of a book on Adelaide de la Thoreza, a Spanish convict, written by herself and Lucy Frost.
More recently she has become involved in a project on ageing in literature DEDAL-LIT at Lleida University which in turn formed part of a European project on ageing: SIforAge. As part of this project she is working on Human Rights and the Elderly, an area she started to research in 1992. In 2020 a book of interviews with elderly women, with the working title Stories of Experience, will be published as a result of this project. These oral stories are drawn from field work she has carried out in Barcelona.
She was recently involved in a ministry funded Project, run out of the Australian Studies Centre and headed by Dr Bill Phillips, on Postcolonial Crime Fiction (POCRIF). This last project has inevitably intertwined itself with her work on convicts and Australia. Her present work focuses on Sephardi Jews in Asian diaspora, and the construction of ageing.
Joseph Haldane is the Founder, Chairman and CEO of IAFOR. He is responsible for devising strategy, setting policies, forging institutional partnerships, implementing projects, and overseeing the organisation’s business and academic operations, including research, publications and events.
Dr Haldane holds a PhD from the University of London in 19th-century French Studies, and has had full-time faculty positions at the University of Paris XII Paris-Est Créteil (France), Sciences Po Paris (France), and Nagoya University of Commerce and Business (Japan), as well as visiting positions at the French Press Institute in the University of Paris II Panthéon-Assas (France), The School of Journalism at Sciences Po Paris (France), and the School of Journalism at Moscow State University (Russia).
Dr Haldane’s research and teaching is on history, politics, international affairs and international education, as well as governance and decision making. Since 2015 he has been a Guest Professor at The Osaka School of International Public Policy (OSIPP) at Osaka University, where he teaches on the postgraduate Global Governance Course, and is Co-Director of the OSIPP-IAFOR Research Centre, an interdisciplinary think tank situated within Osaka University.
A Member of the World Economic Forum’s Expert Network for Global Governance, Dr Haldane is also a Visiting Professor in the Faculty of Philology at the University of Belgrade (Serbia), a Visiting Professor at the School of Business at Doshisha University (Japan), where he teaches Ethics and Governance on the MBA programme, and a Member of the International Advisory Council of the Department of Educational Foundations at the University of Hawaiʻi at Mānoa’s College of Education (USA), collaborating on the development of the Global PhD programme.
Dr Haldane has given invited lectures and presentations to universities and conferences around the world, including at the United Nations Headquarters in New York, and advised universities, NGOs and governments on issues relating to international education policy, public-private partnerships, and multi-stakeholder forums. He was the project lead on the 2019 Kansai Resilience Forum, held by the Japanese Government through the Prime Minister’s Office and the Cabinet Office in collaboration with IAFOR.
From 2012 to 2014, Dr Haldane served as Treasurer of the American Chamber of Commerce in Japan (Chubu Region) and he is currently a Trustee of the HOPE International Development Agency (Japan). He was elected a Fellow of the Royal Asiatic Society in 2012, and a Fellow of the Royal Society of Arts in 2015.
Dr Ishmeet Kaur Chaudhry (educationist, author and poet) teaches at the Centre for English Studies at Central University of Gujarat, India. She was recognised as an Inspired Teacher for the President of India’s in-residence program at Rashtrapati Bhawan, New Delhi in June 2015. She has been largely interested in areas of literature of margins, studies of violence, trauma, and women studies. She has also been actively engaged in Comparative Studies and Translations from Punjabi into English. She is a member of the Global Guru Granth Sahib Translation project at Sikh Research Institute, United States. Her recent work has been on violence studies engaging with discourses on the 1984 anti-Sikh carnage in Delhi. She is an editor of Black November: Writings on Anti-Sikh Massacres of 1984 and the Aftermath (2019); Patrick White: Critical Issues (2014); co-editor of Violence, Subversion and Recovery: Women Writers from the Sub-continent and Around (2019, with Rachel Bari) and the author of Texting the Scripture: Sri Guru Granth Sahib and the Visionary Poetics of Patrick White (2016). Her collection of poems is Forbidden Button and Other Poems (Signorina Publications, 2020)
Dr Ishmeet Kaur Chaudhry also engages in conducting talks on women's concerns, well-being and mindfulness. She firmly believes that in a world that is full of pressures, there is an innate energy within people. She engages in discourses on various aspects of spirituality, learnings from Guru Granth Sahib, and real-life memoirs. She has delivered lectures in various institutions and different countries like Taiwan, Singapore, Australia, America, Pakistan, the United Kingdom and Spain.
Mattia Mantellato holds a cum laude PhD (Doctor Europaeus) in English language and literatures from the University of Udine, Italy, Department of Languages and Literatures, Communication, Education and Society, and he is now a Post-Doctoral Fellow working on the project “English Caribbean Literatures of the Ocean: Eco-Feminist and Transdisciplinary Perspectives for a New Blue Aesthetic”. He researches and publishes on: Derek Walcott’s work, World Literatures, English Literature, Performance and Dance Studies and Multimodal Studies. He is also a professional ballet dancer, choreographer and artist. He graduated from La Scala Ballet Academy in Milan. For seven seasons, he was part of the ensemble of the National Ballet Theatre of Prague (Czech Republic). He has performed in more than 10 countries in Europe, in China (EXPO 2010), at the Biennale of Venice and at Mittelfest.
John McLeod is Professor of Postcolonial and Diaspora Literatures at the University of Leeds, United Kingdom. He is the author of Postcolonial London: Rewriting the Metropolis (Routledge, 2004), Beginning Postcolonialism (Manchester UP, 2nd ed. 2010), and Life Lines: Writing Transcultural Adoption (Bloomsbury, 2015). He has edited special issues of the journals Kunapipi, Moving Worlds, and Études Anglaises, and is the co-editor of The Revision of Englishness (Manchester UP, 2004) and The 1970s: A Decade of Contemporary British Fiction (Bloomsbury, 2014). His essays have appeared in journals such as Wasafiri, Journal of Postcolonial Writing, and ARIEL. He is an Executive Board Member of the Alliance for the Study of Adoption and Culture (ASAC) and co-editor of the Ohio State University Press series Formations: Adoption, Kinship, and Culture. In April 2022 he was Visiting Professor at the University of Paris Sorbonne, France. His new book, Global Trespassers, is forthcoming with Liverpool University Press.
Novelist, playwright and poet Gloria Montero grew up in a family of Spanish immigrants in Australia’s North Queensland. After studies in theatre and music, she began to work in radio and theatre, and then moved to Canada where she continued her career as an actress, singer, writer, broadcaster, scriptwriter and TV interviewer.
Co-founder of the Centre for Spanish-Speaking Peoples in Toronto (1972), she served as its Director until 1976. Following the success of her oral history The Immigrants (1973) she was invited to act as Consultant on Immigrant Women to the Multicultural Department of the Secretary of State, Government of Canada.
She organised the international conferences "Amnistia" (1970) and "Solidaridad" (1974) in Toronto to support and make known the democratic Spain that was developing in the last years of the Franco dictatorship, and in 1976 at Bethune College, York University, "Spain 1936-76: The Social and Cultural Aftermath of the Spanish Civil War".
With her husband, filmmaker David Fulton, she set up Montero-Fulton Productions to produce documentary films on social, cultural and ecological themes. Their film, Crisis in the Rain, on the effects of acid rain, won the Gold Camera Award American Film Festival 1982. Montero was consultant-interviewer on Dreams and Nightmares (A-O Productions, California) about Spain under Franco, a film that won international awards in Florence, Moscow, Leipzig and at the American Film Festival 1975.
Among her many radio documentaries for the Canadian Broadcasting Corporation are: The Music of Spain – a series of 18 hours which presented Spanish music within a social and historical framework; Segovia: the man and his music — a 2-hour special (Signature); Women and the Law (Ideas); Foreign Aid: Hand-out or Rip-Off (Ideas).
Since 1978 Montero has been living in Barcelona, where she has continued to write and publish novels such as The Villa Marini, All Those Wars and Punto de Fuga. Her poem Les Cambres was printed with a portfolio of prints by artist Kouji Ochiai (Contratalla 1983). A cycle of prose poems, Letters to Janez Somewhere in Ex-Yugoslavia, provided the basis for collaboration with painter Pere Salinas in a highly successful exhibition at Barcelona's Galería Eude (1995).
She won the 2003 NH Premio de Relato for Ménage à Trois, the first time the Prize was awarded for a short story in English.
Well known among her theatre work is the award-winning Frida K., which has toured Canada, played New York and Mexico and has been mounted in productions in Spain, Cuba, the Czech Republic, Poland, Sweden and Latvia.
Photo by Pilar Aymerich.
Silvia Cuevas-Morales is a bilingual Australian writer of Chilean descent whose work includes fiction, non-fiction and poetry. After the 1973 military Coup d’état in Chile, her family was forced to flee the country and settled in Australia, where she completed her secondary and university studies, while teaching Latin American literature and Spanish language at La Trobe and Monash Universities. In 1999, she moved to Spain, where she has worked in the publishing world as an editor and literary translator, as well as collaborating with different newspapers and magazines as a freelance journalist.
Some of her published work includes: Purple Temptations (1994); Respiro de arena (1996); Sur/South Poem(a)s (1998); Al filo de la memoria/At memory's edge (2001); Canto a Némesis (2003); De la "A" a la "Z": Diccionario universal de autoras que escriben en castellano (2003); Vínculos Teatrales (2003); Rodaré maldiciendo (2008); Poliamora (2010); Diccionario de centenarias ilustres: 100 mujeres que cambiaron la historia (2011); Desarrelament y altres poemes / Desarraigo y otros poemas (2012); Nanas lésbicas: para conciliar el sueño (2013) Pienso, luego estorbo... / Je pense, donc je gȇne... (2014); El tren del miedo y otros relatos (2015) and Apátrida: Diario de un destierro/ Stateless: Diary of an Exile (2017).
Dolors Ortega Arévalo has been a lecturer of Literature in English at the University of Barcelona since 2010, teaching courses devoted to Contemporary Fiction in English, Modernist and Postmodernist Literature in English, Mediaeval Literature, North American Contemporary Fiction, Shakespeare and Postcolonial Literatures.
She received her PhD degree from the University of Barcelona and she was awarded the European Doctorate Mention for her thesis "Deterritorialising Patriarchal Binary Oppositions: Deleuze, Woolf, Masculinities and Film Adaptation", after a year as a Visitor Doctorate Researcher under the supervision of Dr Humm at the University of East London, United Kingdom. Her research has focused mainly on Modernist writers, Gender Studies, Film Adaptations, Postcolonial Literature and the Philosophy of Gilles Deleuze and Félix Guattari. She has most recently been working on transnationalisms and hybridity and has published the prologue and the only authorised, annotated Spanish translation of F.S. Fitzgerald's The Last Tycoon (2014). She is currently working on an annotated translation of Virginia Woolf’s A Room of One’s Own (1929). She is a member of the current consolidated research group Ratnakara with its current project “The Aesthetics of Remembering: Empathy, Identification, Mourning,” funded by the Spanish Ministry of Economy and Competitiveness (FFI2015-63739-P).
Dean Adrien K. Wing is the Bessie Dutton Murray Distinguished Professor at the University of Iowa College of Law, United States, where she has taught for 34 years. She is the Associate Dean for International and Comparative Law Programs, and the Director of the University of Iowa Center for Human Rights. Author of over 150 publications, she teaches Critical Race Theory, Sex Discrimination Law, and Law in the Muslim World. She is editor of Critical Race Feminism (NYU Press, 2003) and Global Critical Race Feminism (NYU Press, 2000). Recipient of many honours, she currently serves on the American Journal of International Law Board of Editors. Wing holds her Bachelor’s degree from Princeton with high honours, MA degree from UCLA in African Studies, and her Doctorate of Jurisprudence from Stanford Law School.