IAFOR > The Barcelona Conference on Education (BCE) > BCE2025 Overview

BCE2025 Overview

Join us in Barcelona for BCE2025!

September 30 – October 4, 2025 | Held in Barcelona, Spain (and online)

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Welcome to The 6th Barcelona Conference on Education (BCE2025), held in partnership with the IAFOR Research Centre at the Osaka School of International Public Policy (OSIPP) at Osaka University, Japan.

For those of you who were fortunate enough to attend an IAFOR conference before COVID appeared from over the horizon, you will remember the calibre of research presented, the thrill of listening to engaging keynotes, discussions with respected plenary speakers, and socialising with like-minded scholars from across the globe. The opportunity to not only meet with old friends from previous IAFOR conferences, but also to introduce new minds into your intellectual network.

So what about conferences under the “new normal” COVID restrictions in effect across the world? IAFOR saw very quickly that the online and hybrid conferences were the only way to keep the heart of the academic community beating, and adapted their activities to suit this rare situation with finesse. Of course, nothing can substitute the dynamism of in-person conferences, but the IAFOR online experience not only maintains the superb quality one expects of an IAFOR conference, it surpasses, by taking advantage of innovative and exciting and new formats that could only have been envisioned in the wake of a global crisis. How about a face-to-face conversation between two experts, writers, filmmakers, from countries thousands of miles apart? Experts who otherwise would have been unable to meet due to geographical or political adversities – a magnificent opportunity indeed.

There are more reasons than ever before to join BCE and BAMC in Barcelona. The era of the online and hybrid conference is strange and unfamiliar, but also revolutionary and liberating, opening doors and allowing its speakers’ words to be heard across the world.

The Barcelona Conference on Education (BCE2025) will be held alongside The Barcelona Conference on Arts, Media & Culture (BAMC2025), and many of the sessions will concentrate on areas at the intersection of education and the arts and humanities. In keeping with IAFOR’s commitment to interdisciplinary study, delegates at either conference are encouraged to attend sessions in other disciplines. Registration for either conference will allow delegates to attend sessions in the other. We expect the resultant professional and personal collaborations to endure for many years, and we look forward to seeing you in Barcelona and online!

– The BCE2025 Conference Committee

Key Information
  • Venue & Location: Held in Barcelona, Spain (and online)
  • Dates: Tuesday, September 30, 2025 ​to Saturday, October 04, 2025
  • Early Bird Abstract Submission Deadline: May 02, 2025*
  • Final Abstract Submission Deadline: July 04, 2025
  • Registration Deadline for Presenters: August 08, 2025

*Submit early to take advantage of the discounted registration rates. Learn more about our registration options.

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Plenary Speakers

  • Marcos Centeno-Martín
    Marcos Centeno-Martín
    University of Valencia, Spain & SOAS, University of London, United Kingdom
  • Joan Delgado
    Joan Delgado
    The Raval's Band, Spain
  • Agustín Gálvez
    Agustín Gálvez
    The Raval's Band, Spain
  • Brendan Howe
    Brendan Howe
    Ewha Womans University, South Korea
  • Dolors Ortega Arévalo
    Dolors Ortega Arévalo
    University of Barcelona, Spain
To be Announced

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Programme

  • Circulation of Japanese Newsreels on the War in Asia (1931-1945) in Spain
    Circulation of Japanese Newsreels on the War in Asia (1931-1945) in Spain
    Keynote Presentation: Marcos Centeno-Martin
  • Embedding Social Responsibility: Service-Learning as a Tool for Knowledge Transfer in the New University Landscape
    Embedding Social Responsibility: Service-Learning as a Tool for Knowledge Transfer in the New University Landscape
    Panel Presentation: Dolors Ortega, Marta Ortega, Catalina Ribas Segura
  • A Journey Through the History of the Catalan Rumba
    A Journey Through the History of the Catalan Rumba
    Rumba Catalana Performance and Workshop: Joan Delgado, Agustín Gálvez
To be Announced

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Conference Committees

International Advisory Board

Dr Joseph Haldane, Chairman and CEO, IAFOR
His Excellency Professor Toshiya Hoshino, Osaka University, Japan
Professor Barbara Lockee, Virginia Tech., United States
Professor Donald E. Hall, Binghamton University, United States
Dr James W. McNally, University of Michigan, United States & NACDA Program on Aging
Professor Haruko Satoh, Osaka University, Japan
Dr Grant Black, Chuo University, Japan
Professor Dexter Da Silva, Keisen University, Japan
Professor Gary Swanson, University of Northern Colorado, United States
Professor Baden Offord, Curtin University, Australia
Professor Frank Ravitch, Michigan State University, United States
Professor William Baber, Kyoto University, Japan

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Conference Programme Committee

Conference Co-Chairs

Dr Joseph Haldane, The International Academic Forum (IAFOR), Japan
Professor Sue Ballyn, University of Barcelona, Spain

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Conference Review Committee

Now accepting applications

To be Announced

IAFOR's peer review process, which involves both reciprocal review and the use of Review Committees, is overseen by the Conference Programme Committee under the guidance of the International Academic Board (IAB). Review Committee members are established academics who hold PhDs or other terminal degrees in their fields and who have previous peer review experience.

If you would like to apply to serve on the BCE2025 Review Committee, please visit our application page.

Apply to Join the Review Committee

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Marcos Centeno-Martín
University of Valencia, Spain & SOAS, University of London, United Kingdom

Biography

Dr Marcos Centeno-Martín is Associate Professor in Film and Media at the University of Valencia, Spain, and a research associate at the School of Asian Studies (SOAS), University of London, United Kingdom. He was previously a Lecturer in Film Studies for the Department of Japan and Korea and convened the MA programme in Global Cinemas and the Transcultural at SOAS. After his appointment at SOAS, Dr Centeno-Martín was a Lecturer at Birkbeck College, United Kingdom, where he acted as the Director of the Japanese Programme. He has also been research associate at the Nissan Institute for Japanese Studies, Waseda University, and the University of Oxford, and a guest lecturer at Nanzan University, Japan.

Dr Centeno-Martín’s research interests revolve around Japanese documentary film, war-time memory, image theory, transnationality, and representation of minorities. He is the PI for TRAMEVIC: Transnational War-time Memories in East Asian Visual Culture funded by Generalitat Valenciana, coordinator of TRADIASIA (Transculturality and Diversity in East Asia). He has received grants from the Council on East Asian Studies at Yale University, United States, and has led projects with funding from the Sasakawa Peace Foundation, Daiwa, the Japan Foundation, the Japanese Ministry of Education (MEXT).

Keynote Presentation (2025) | Circulation of Japanese Newsreels on the War in Asia (1931-1945) in Spain
Joan Delgado
The Raval's Band, Spain

Biography

Guitarist Joan Delgado is an architect with a passion for music. He studied classical guitar from a young age, over time discovering the magic of the regional 'rumba catalana' sound and its ‘ventilador’. From this moment on, his interest in the guitar shifted to that of an accompanist, blending his background in flamenco with specialised training in the Andalusian guitar.

Mr Delgado has been a constant feature of Barcelona's musical scene since 2010, accompanying musicians in various styles (including flamenco, rumba, bossa nova) and combining the rhythmic base of the solo guitar with traditional latin rhythms. He is known for his collaborations with Swiss-Mexican singer Raissa Avilés and more recently with Argentinian singer Dominique Maucci and French-Tunisian percussionist Narjess Saad.

In addition to his work as a guitarist, composer, and arranger in his rumba catalana band, International del Raval, Mr Delgado has honed his skills as a musician with courses in percussion (including cajón flamenco and palmas) and has played as a trombonist in the Raval's Band and the Txaranga de la Prospe.

Cultural Presentation (2025) | A Journey Through the History of the Catalan Rumba

Previous Presentations

Interactive Performance (2024) | The Rumba Catalana: An Interactive Performance by Joan Delgado and Agustín Gálvez
Agustín Gálvez
The Raval's Band, Spain

Biography

Although musician-singer Agustín Gálvez was born in Bilbao, his family came from the region of Aragon of northeastern Spain. Mr Gálvez learned to play the traditional Aragonese bandurria when he was seven years old, performing in local groups throughout his youth. Although music has always been a part of his life, he began studying it seriously after he moved to Barcelona and transitioned from a competitive athletic career. He bought himself a tenor saxophone and began taking classes at the then-recently established Taller de Musics in Barcelona. He gradually added classes in solfeo at the Conservatory of Music and, given the quality of his singing voice, was urged to study singing.

Although he trained as a lyric tenor, he always gravitated towards salsa – boleros, rumbas, huarache – while performing professionally with various bands. He is now part of three Big Jazz bands – The Raval's Band, L'EM Big Band, and the Bibandinou.

Cultural Presentation (2025) | The Rumba Catalana: An Interactive Performance by Joan Delgado and Agustín Gálvez

Previous Presentations

Interactive Performance (2024) | The Rumba Catalana: An Interactive Performance by Joan Delgado and Agustín Gálvez
Brendan Howe
Ewha Womans University, South Korea

Biography

Brendan Howe is Dean and Professor of the Graduate School of International Studies, Ewha Womans University, South Korea, where he has also served two terms as Associate Dean and Department Chair. He is currently the President of the Asian Political and International Studies Association, and has been elected to serve as the President of the World International Studies Committee from July, 2025. He has held visiting professorships and research fellowships at the East-West Center as a POSCO Visiting Research Fellow (United States), the Freie Universität Berlin (Germany), De La Salle University (Philippines), The University of Sydney (Australia), Korea National Defence University (South Korea), Georgetown University (United States), Universiti Malaysia Sarawak (Malaysia), and Beijing Foreign Studies University (China).

Educated at the University of Oxford, the University of Kent at Canterbury (United Kingdom), Trinity College Dublin (Ireland), and Georgetown University (United States), his ongoing research agendas focus on traditional and non-traditional security in East Asia, human security, middle powers, public diplomacy, post-crisis development, comprehensive peacebuilding, and conflict transformation. He has authored, co-authored, or edited around 150 related publications, including Comprehensive Peacebuilding on the Korean Peninsula (Springer, 2023), Society and Democracy in South Korea and Indonesia (Palgrave, 2022), The Niche Diplomacy of Asian Middle Powers (Lexington Books, 2021), UN Governance: Peace and Human Security in Cambodia and Timor-Leste (Springer, 2020), Regional Cooperation for Peace and Development (Routledge, 2018), National Security, State Centricity, and Governance in East Asia (Springer, 2017), Peacekeeping and the Asia-Pacific (Brill, 2016), Democratic Governance in East Asia (Springer, 2015), Post-Conflict Development in East Asia (Ashgate, 2014), and The Protection and Promotion of Human Security in East Asia (Palgrave, 2013).

Panel Presentation (2025) | TBA
Dolors Ortega Arévalo
University of Barcelona, Spain

Biography

Dr Dolors Ortega Arévalo has been a lecturer of Literature in English at the University of Barcelona, Spain since the year 2010, teaching courses focused on Contemporary Fiction in English, Modernist and Postmodernist Literature in English, Medieval Literature, North American Contemporary Fiction, Shakespeare and Postcolonial Literatures, both at undergraduate and postgraduate levels. She received her PhD from the University of Barcelona and she was awarded the European Doctorate Mention for her thesis "Deterritorialising Patriarchal Binary Oppositions: Deleuze, Woolf, Masculinities and Film Adaptation", after a year as a Visiting Doctoral Researcher under the supervision of Dr Humm at the University of East London, United Kingdom. Her research has focused mainly on Modernist writers, Gender Studies, Contemporary British Fiction, Film Adaptations, Postcolonial Literatures and the Philosophy of Gilles Deleuze and Félix Guattari. She has most recently been working on transnationalisms and hybridity and has published the prologue and only authorised annotated Spanish translation of F.S. Fitzgerald's The Last Tycoon (2014) as well as the prologue of F.S. Fitzgerald’s Cuentos Rebeldes (2018). She is a member of the consolidated research group Ratnakara with its current project “Rhizomatic Communities: Myths of Belonging in the Indian Ocean World,” funded by the Spanish Ministry of Economy and Competitiveness (PGC2018-095648-B-I00). She has been a member of the academic committee of the MA “Construcció i Representació d’Estudis Anglesos” of “Facultat Filologia i Comunicació de la Universitat de Barcelona”, and is currently a member of the executive committee of “Centre d’Estudis Australians i Transnacionals (CEAT)” and the Head of Studies of CFA Rius i Taulet School for Adults in Barcelona.

Panel Presentation (2025): Embedding Social Responsibility: Service-Learning as a Tool for Knowledge Transfer in the New University Landscape

Previous Presentations

Panel Presentation (2024): Adult Education and Learning (AEL) in Spain: Challenges and Opportunities
Keynote Presentation (2022): Adult Education and the ‘Pedagogy of the Oppressed’: Vulnerability, Resilience, and Lifelong Learning
Circulation of Japanese Newsreels on the War in Asia (1931-1945) in Spain
Keynote Presentation: Marcos Centeno-Martin

During the so-called “dark valley”, or the fifteen-year war in Asia (1931-1945), the Japanese industry of newsreels experienced extraordinary growth, particularly fostered by war in China from 1937. This paper examines the international circulation of the footage shot by Japanese operators about the conflict in Asia, particularly focusing on their distribution in Spanish cinemas. On the one hand, this research will cast light into the global phenomenon of migration of images in a moment in which cinema was becoming a modern propaganda weapon. On the other hand, this presentation will trace the journey of images from the creation of the puppet state of Manchukuo to the end of the Pacific War, and how they eventually reached Spain. It will also assess how these images were appropriated along the way, and how their Spanish interpretations of the events in Asia shifted according to the changing interests in Spain.

Read presenter's biography
Embedding Social Responsibility: Service-Learning as a Tool for Knowledge Transfer in the New University Landscape
Panel Presentation: Dolors Ortega, Marta Ortega, Catalina Ribas Segura

This paper presents a comprehensive analysis of Service-Learning (SL) practices and methodologies in higher education, with a focus on their role as mechanisms for knowledge transfer and civic engagement. As a pedagogical model, SL integrates community service with academic learning objectives, promoting not only the development of academic competences but also social responsibility and community transformation. Increasingly recognized as a strategic tool, SL has been found to increase students’ awareness of the UN’s Sustainable Development Goals (SDGs) and supporting universities’ knowledge transfer mission through socially engaged teaching and institutional collaboration with local stakeholders.

The panel will also present a comparative case study of the University of Barcelona and CESAG in Palma de Mallorca, illustrating how both large and small institutions have successfully embedded SL into their curricula through interdisciplinary projects and long-term community partnerships, demonstrating the model’s adaptability and social impact. Through a review of international and national literature on SL, the panel will highlight SL’s core components such as addressing real social needs, fostering reciprocal partnerships, and integrating structured reflection into the curriculum, while framing SL as both a pedagogical method and a philosophy of institutional responsibility and democratic participation.

An examination of how Spain’s new Organic Law of the University System (LOSU) supports the institutionalisation of SL by promoting social responsibility and knowledge transfer will also be discussed, particularly how networks like ApS(U)CAT and regional policy frameworks in Catalonia position SL as a central pillar of university teaching and civic engagement.

Read presenters' biographies
A Journey Through the History of the Catalan Rumba
Rumba Catalana Performance and Workshop: Joan Delgado, Agustín Gálvez

In the 1950s, the rumba catalana or Catalan rumba developed within the gypsy community of Barcelona out of the fusion of flamenco and other international musical styles. Today, some 75 years later, UNESCO is being asked to declare this popular foot-stepping rhythm as part of the Intangible Cultural Heritage of Humanity.

As we prepare for the UNESCO declaration, key questions must be explored to truly understand the art form. Who really developed the Catalan rumba? In what neighbourhood of Barcelona did it develop? What are the basic elements that characterise it? What makes it different from the Cuban and Flamenco rumbas? What is the famous ventilador, an essential feature of the rumba catalana? Barcelona guitarist Joan Delgado and vocalist Agustín Gálvez address these questions as they lead the audience through the origin and history of the rumba catalana in a participatory musical exploration of this fascinating rhythm, ever present at any popular festival in the region.

With only a guitar and two palms to clap, you need nothing more to set up a great shindig like Peret himself might have done.

Read presenters' biographies